公共首页|收藏本站|English|微博关注|APP下载

苏艺日历

克里斯蒂安·阿明与苏州交响乐团
演出类型:音乐
演出时间:2019.03.30(周六/SAT)19:30
演出票价:580/380/280/180/80
出品公司:无
我要订票

2019年1月1日起,金鸡湖音乐厅演出 1.3米以下儿童谢绝入场

克里斯蒂安·阿明与苏州交响乐团

CHRISTIAN ARMING & SZS

2019.03.30(周六/SAT19:30

580/380/280/180/80

苏州文化艺术中心二楼/金鸡湖音乐厅 Jinji Lake Concert Hall SSCAC 2nd Floor





心动折扣

*仅限苏艺现场窗口购买*

即日起至2019131日购苏交“2018/19音乐季“演出

即标题中含“SZS 2018/19 SEASON”演出

任选3场(含)以上,可享85折优惠

任选6场(含)以上,可享8折优惠

任选9场(含)以上,可享7.5折优惠

100名赠送年册

*最低价不参与优惠*


现推出

乐季VIP尊享卡 

1800元/张

尊享2018/19音乐季任意场次

380元门票6张580元门票4张

限量100张

前50名赠送苏交定制马克杯及2018/19音乐季年册一本。

*办卡及购票请至苏州文化艺术中心现场,或咨询4008-288-299*



此外您还将享受到:

最佳座位

优先预留最佳座位,专业音乐厅顶尖视听享受,省卻排队抢票的烦恼。

②购买即入会

凡购买乐季套票及乐季VIP尊享卡的观众,在苏州交响乐团会员系统启动后自动成为会员。


 


克里斯蒂安·阿明 指挥 | Christian Arming Conductor

雷米·尚  钢琴 Rémi Geniet Piano


莫扎特  《唐璜》序曲

贝多芬  降E大调第五钢琴协奏曲《皇帝》

勃拉姆斯  E小调第四交响曲 作品98

MOZART      Don Giovanni Overture

BEETHOVEN     Piano Concerto No. 5 in E-flat major, Emperor

BRAHMS      Symphony No. 4 in E minor, Op. 98

 

观演须知

本场演出全长约85分钟,中场休息15分钟。本场演出适合8岁以上人士观看。

NOTICE TO AUDIENCE

DURATION Approximately 85 minutes with a 15-min intermission

SUGGESTED AGE 8 and above


克里斯蒂安·阿明是一位极其优雅的指挥家,在他的指挥棒下,这首舒曼四部交响乐中最富含生机与力量的作品【第三交响曲】,其蕴含的浪漫主义情怀就这样被优美地呈现出来。第三乐章中他将谐谑曲的舞曲和饮酒歌的特性处理地极其精巧,而第四乐章则显得非常高贵。”——《温哥华太阳报》

 

克里斯蒂安·阿明 | 指挥


奥地利籍指挥家克里斯蒂安·阿明现任比利时列日皇家爱乐管弦乐团音乐总监、日本广岛交响乐团首席客座指挥。他曾任东京新日本爱乐交响乐团音乐总监、捷克雅纳切克爱乐乐团首席指挥及琉森交响管弦乐团音乐总监。


他曾指挥过众多欧洲顶级交响乐团,包括德国交响乐团、法兰克福广播交响乐团、魏玛国立管弦乐团、德累斯顿国立管弦乐团、萨尔茨堡莫扎特管弦乐团、维也纳交响乐团、瑞士罗曼德管弦乐团、布拉格交响乐团、巴塞罗那交响乐团、米兰威尔第交响乐团、比利时国立管弦乐团、图卢兹国立管弦乐团、意大利都灵广播交响乐团。


同样,他的足迹也遍布北美洲,合作过的乐团包括波士顿交响乐团、辛辛那提交响乐团、休斯顿交响乐团、亚特兰大交响乐团、圣路易斯交响乐团、科罗拉多交响乐团、犹他交响乐团、新泽西交响乐团、温哥华交响乐团等。他也是美国阿斯本音乐节和朗德托普艺术节的常客。


近期,他将与台湾爱乐乐团、日本NHK交响乐团、上海交响乐团、波兰国家广播交响乐团、蒙特卡洛交响乐团和布拉格广播交响乐团合作演出。


在歌剧领域,他在奥地利萨尔斯堡艺术节、瑞士琉森歌剧院、意大利维罗纳歌剧院、法国斯特拉斯堡歌剧院、美国辛辛那提歌剧院、意大利的里雅斯特歌剧院、德国法兰克福歌剧院、意大利都灵皇家歌剧院、德国汉堡国家歌剧院等地的表现同样受到业界的广泛好评。


克里斯蒂安·阿明曾录制过多张专辑,其中与比利时列日皇家爱乐管弦乐团合作的《弗朗克D小调交响曲》为他赢得了法国金音叉唱片奖。

 

 

 

“Arming is an extremely graceful conductor and under his hand the romanticism of this most muscular and exuberant of the four Schumann symphonies [No. 3] came beautifully to light. He caressed phrasings in the third movement, brought out all the dancing/drinking song character of the scherzo, and [the] fourth movement was nobility itself.” – VANCOUVER SUN

 

Christian Arming | Conductor

 

Austrian conductor Christian Arming is currently Music Director of the Orchestre Philharmonique Royal de Liège, and Principal Guest Conductor of the Hiroshima Symphony Orchestra. Previously he held positions as Music Director of the New Japan Philharmonic in Tokyo, Chief Conductor of the Janá?ek Philharmonic in Ostrava, Czech Republic, Music Director of the Lucerne Theatre and Symphony Orchestra.


Christian Arming conducts regularly many of the top European orchestras including the Deutsches Sinfonieorchester, Radio Symphony Orchestra Frankfurt, Staatskapelle Weimar, Staatskapelle Dresden, Salzburg Mozarteum, Vienna Symphony, Orchestre de la Suisse Romande, Prague Symphony Orchestra, Orquesta Sinfonica de Barcelona, Orchestra Verdi Milan, Academia Nazionale di Santa Cecilia, Orchestre National de Belgique, Orchestre National du Capitole de Toulouse and Orchestra RAI Turin.


In North America, he has conducted the Boston Symphony Orchestra as well as the Cincinnati, Houston, Atlanta, St. Louis, Colorado, Utah, New Jersey and Vancouver Symphony Orchestras.  He is annually invited to both Aspen and Round Top Festivals in the United States.


Recent highlights include performances with the Taiwan Philharmonic as well as re-invitations to the NHK Symphony, Shanghai Symphony Orchestras and National Polish Radio Orchestra, Monte Carlo Philharmonic, and Prague Radio Symphony Orchestra at the Prague Spring Festival.


Equally at home in the operatic repertoire, Arming’s work has won him critical acclaim in opera theaters including the Salzburg Festival, Lucerne, Verona, Strasbourg, Cincinnati, Trieste, Frankfurt Opera, Teatro Regio in Turin, and the Hamburg State Opera.


A prolific recording artist, Christian Arming’s recording of Franck’s Symphony in D minor with the Orchestre Philharmonique Royal de Liège won him the Diapason d’Or Award.

 

 

 

 

“拥有令人望而生畏的技巧、令人惊叹的理性与超越一切的音乐表达,他的演绎是我听过的(贝多芬)作品110号中最具人性、美感的,也是最深刻的。”—— 法国《音叉》杂志

 

雷米·尚尼 钢琴

 

作为多项国际大赛桂冠的获得者,雷米·尚尼20岁时赢得2013年伊丽莎白皇后国际钢琴比赛第二名,而后迅速成为同代人中最杰出的钢琴家之一。他是波恩国际贝多芬比赛中最年轻的获奖者,2015年在著名的纽约青年音乐会艺术家国际选拔赛中获得头奖。

尚尼埃与众多世界知名乐团均有合作,包括圣彼得堡爱乐乐团、乌拉尔爱乐乐团、瑞士罗曼德管弦乐团、卢森堡爱乐乐团、比利时国立交响乐团、华沙交响乐团、法国国家交响乐团、韩国KBS交响乐团、香港小交响乐团与日本广岛交响乐团。合作过的指挥大师包括艾度·迪华特、马琳·阿尔索普、耶欧·莱维、弗拉基米尔·西连科、迈克尔·霍夫施泰特等。

尚尼埃也是瑞士韦尔比耶音乐节、加拿大蒙特利尔巴赫艺术节、瑞士因特拉肯古典音乐节、瑞士格施塔德音乐节等世界知名音乐节的常客,常受邀在巴黎卢浮宫音乐厅、巴黎佳沃音乐厅、纽约卡内基音乐厅、慕尼黑加斯泰格音乐厅演出,并参与路易威登艺术博物馆开幕季演出。

的两张由Mirare唱片公司出版的唱片均受到业界人士的一致好评。其中首张全巴赫唱片在2015年获得法国金音叉唱片奖



“Instrumentally intimidating, intellectually astonishing and musically overwhelming. The most humane, beautiful, profound Opus 110 heard for a very long time” - DIAPASON

Rémi Geniet | Piano

Rémi Geniet has established himself as one of the most prominent pianists of his generation, having won the second prize at the 2013 Queen Elisabeth International Piano Competition at the age of twenty. He was the youngest prize-winner of the Bonn International Beethoven Competition and was awarded first prize at the prestigious Young Concert Artists International Auditions in New York in 2015.

Rémi Geniet performs internationally with orchestras including the St. Petersburg Philharmonic, Orchestra Novaya Rossiya, Ural Philharmonic Orchestra, Orchestre de la Suisse Romande, Royal Flemish Philharmonic, orchestras in Luxembourg, Belgium, Warsaw and d'?le-de-France, KBS Symphony Orchestra, Hong Kong Sinfonietta, orchestras of Kansai and Hiroshima, under conductors such as Edo de Waart, Marin Alsop, Yoel Levi, among others.

A frequent guest at prestigious festivals such as Verbier, the Montreal Bach Festival, Interlaken Classics Festival in Switzerland, and Les Sommets Musicaux de Gstaad, Rémi Geniet performs regularly at the Auditorium du Louvre and Salle Gaveau in Paris, Carnegie Hall’s Zankel Hall, the Munich Gasteig, NDR Hanover, and the “New Generation” series in the inaugural season of the Louis Vuitton Foundation to enormous critical acclaim.

Both his debut all-Bach CD, which received a “Diapason D’OR of the Year” in 2015, and his second release of four Beethoven sonatas, also on the Mirare label, were unanimously praised by the critics.